Tag Archives: childhood

Junk drawer, by Audrey Keith

junk drawerEveryone has one—that space, usually a drawer, where you toss all those stray keys, extra screws, odd-shaped pieces of metal or plastic that you know belong to something, small tools, tape measures, tubes of glue, a couple of buttons, a piece of a jigsaw puzzle, Cracker Jack prizes, and various other homeless items. That’s why it’s called a junk drawer.

Once in a while what you are searching for is right on top, but most of the time it is way in the back, on the bottom. Sometimes it’s wedged tightly into the seam.

Every five or ten years you dump everything out and throw away the partial tube of dried-out glue, the warranty card for an appliance that died three years ago, and maybe even the rusty screws and nails. In an extreme fit of neatness you may even put in dividers and sort everything. It will stay sorted until the next time the drawer is opened.

Then one day you’ll find a screw lying on the floor and tuck it neatly into the front corner of the drawer. When your husband decides to replace it, he will go through the contents like a side-delivery rake, looking for that screw. Failing to find it, he will decide it isn’t really that important, and go do something else.

junk mindThe junk drawer in my cupboard isn’t much of a problem, but I also have one in my head. It contains a lot more junk than the other and is just as poorly organized.  Old songs, poems, names, bits of movies, memories, both good and bad, and odd phrases that make no sense now that I’ve forgotten the context.

Like the drawer, sometimes what I want to find is right there on top, but usually I have to rummage through childhood memories of playing in the pasture trees, picnicking in trees alongside a gravel road, being driven cross-country to school in snow so deep the team didn’t trot, but lunged. Or memorized poems and song lyrics—maybe Beautiful Ohio, that we used to sing on the way to town—country and western favorites, popular or classical music. They persist in covering the information I am searching for.

Unlike that drawer, I can’t just dump everything out and discard those useless bits of knowledge: how to find grease zirks, or harness and hitch a team. I hope to never again have to clean and cut up a chicken, but the memory is there. Starter buttons on cars and seams on nylons are long gone and not missed. Nor forgotten.junk

Last night just as I was drifting off to sleep I had a wonderful idea for a painting I was beginning. This morning I can’t find it. I suspect it’s hiding under the words to Annie Doesn’t Live Here Anymore.

About Audrey…

I can’t remember not loving to read. It’s a harmless addiction unless the house is on fire or someone is bleeding.

I did finally gather the courage to take a correspondence course in writing through a state college, and I even submitted a few stories – an action about as comfortable as parading down Main Street in the nude.

My first publication – a humorous story about remodeling our old farmhouse – was in Woman’s World in the July, 1972 issue. Later I wrote mostly rural humor; think Erma Bombeck on a tractor. I have been published in The Fence Post, a farm and ranch magazine based in Colorado, Grit, Capper’s, Farm Journal, North Dakota REC Magazine, North Dakota Horizons,  Good Old Days, and in two anthologies, Why Farm Wives Age Fast, and Leaning Into the Wind.

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You might also like –

Kristen Lamb’s blog – Writing and the junk drawer of life

Apartment Therapy – Organizing the junk drawer

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Remembering Eleanor Rigby, by Dr. Niamh Clune

Since childhood, her habit had been to draw a bristle brush through her long, now silver-grey hair. ‘One hundred strokes every day keeps your hair a healthy way,’ she muttered under her breath as though it were an incantation. She said it rhythmically, keeping time with the brush. Her actions were an instinctive remnant of her mother’s careful conditioning.

She re-placed the brush on the dressing table. As if seeing herself for the first time in a long time, she stared into her grey eyes. Once, they had been filled with light, had danced, and sparkled merrily with the unbridled expectancy of all that life yet held in store. When did she become so old? Her last remnants of beauty had long-since faded. These days, her once lovely face spoke only of tiredness.

She stood up and moved across the darkened room. She liked the room that way. She didn’t like the light. It showed only worn, dirty walls and threadbare carpets. Her movements were graceful still, and lithe. She corrected her posture as if, once again, she heard the ghostly voice of her mother scolding, ‘straighten up!’

Her mother had lived long. This had been her room. Her things were still here. Margaret could not find it within herself to clear them out. After her mother’s passing, Margaret had claimed the room. She had moved into her mother’s things, worn her mother’s clothes, slept between her mother’s sheets, and used her mother’s hairbrush, whilst repeating her mother’s meaningless mantra.

She moved to the window, careful to remain hidden behind the heavy, Edwardian lace curtain. It was snowing outside. Already, thin bicycle tracks appeared and curved precariously.  In this cul-de-sac, the only cars that passed were those driven blindly by misdirected motorists or by those that lived in one of the semis. This was a safe road for children.

Margaret watched them gathering beneath her window. They were excited by the snow. It had not yet fallen sufficiently for the making of snowballs. But they laughed and shrieked none-the-less and made Margaret jump nearly out of her skin. She backed away. Her hands flew up to her ears. She rocked her head from side -to-side. ‘Mummy,’ she whimpered. But mummy wasn’t there. No one was. Only the quiet house answered in creaks and groans. She curled up on the bed in a foetal position, drawing her knees up under her chin.

Somehow, the holidays were more unbearable than the usual drawn-out, bland ordinariness of non-holidays. People came, went, bustled, laughed, held hands, and carried bags of shopping destined for splendid family feasts. They passed her opaque windows oblivious to her existence.  ‘Why don’t they know that I am here?’ she screamed inwardly.

All her ranting was inward. That was the safest place to rail against the lonely nights, the lonely days of never-ending emptiness. She did not cry out anymore. It made her feel worse.  Sorrow had become a vicious beast that snarled back and hit her hard with its stark reality. ‘Mummy,’ she whimpered again.

‘Mad Woman,’ the children shouted up at the window. It was their favourite street haunt. They loved gathering beneath her window and taunting her – ‘Mad Marge, the old woman who lived in a shoe and didn’t know what to do!’

Once upon a time, she had wanted a daughter of her very own. That man…what was his name, the one who wanted to marry her? She couldn’t remember now. But Mummy had become ill at the thought of it. She had developed a crippling disease and could do nothing for herself.  Margaret couldn’t leave her to go off with the man whom she had loved at the time. Who would brush Mummy’s hair?

Margaret lay staring into the gloom shutting her ears to the sounds of children’s laughter. Why did people think of laughter as being happy? It was a taunt, a shrieking, shrill torment. It reverberated off her loneliness to pierce the uninhabited world in which she existed.

What was that sound? She thought herself mistaken, but was it a knock on the door? She froze. What should she do? And again. There it was again. Someone was trying to break into her world. She was not safe. She must hide. She clambered off the bed and onto the floor. On her belly, she slid beneath the bed. And there she stayed until the gloom turned to night.

Outside, the snow fell. Soon it covered Mrs Jones’ footprints, and covered the plate of mince pies she had left on the doorstep.

Dr. Niamh Clune

Niamh was born in Dublin in 1952 – one of eight children. In 2002, she earned a PhD from Surrey University, UK, in “Acquiring Wisdom through the Imagination.” She has been described as a polymath! She is a writer, teacher, spiritual psychologist, award-winning social entrepreneur, environmental campaigner and award-winning writer of songs. Niamh has lived and worked in Africa for Oxfam, UNICEF and World Food Programme, which she describes as one of the defining moments in her life. She is the author of The Coming of the Feminine Christ. Her latest publication, Orange Petals in a Storm, is the first in the Skyla McFee series.

Orange Petals in a Storm

Niamh is very active on the internet on Orangeberry Books Collective and blog. She is a featured author at Love a Happy Ending. Niamh has her own blog at Niamh Clune Writes and has a Facebook fan page at Niamh Clune Books. Find her on Twitter. Her novel Orange Petals in a Storm is available here. Listen to Niamh’s enchanting vocal on YouTube.

Opening photo – Photobucket, Carolynt99

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